"I don’t know how to pick just one shot - I guess it depends on what mood you’re in that day - but there’s a shot in Ivan’s Childhood where the boy is crossing between the German and Russian lines that I absolutely love. It’s this incredible black and white landscape, illuminated by flares like a kind of ghostly hinterland, with this downed fighter plane jutting out of the earth. I don’t know what camera Vadim Yusov shot with in the water, but I’m sure it was a lot heavier than the ones we use now. He also shot Solaris for Tarkovsky, which is also a remarkable-looking film. Yusov died recently - I was sad not to have been able to meet him."
Roger Deakins on Andrei Tarkovsky’s Ivan’s Childhood.